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THE DELIGHTS OF CHURCH CRAWLING
by
Patrick
Moule
Secretary of the Dorset Historic Churches Trust
One
of the things this Trust provides as part of its general activities is the
honourable sport of church crawling. The Secretary, but sometimes the Treasurer
as well, is approached by, as it may be, a Historical Society, a Branch of
NADFAS, or, regularly now for the last four years, a local branch of The Art
Fund, asking for an organised tour to give a day’s entertainment and
instruction. Bob and I are both greatly assisted by our wives, who are just as
knowledgeable and help to keep the flock together. Since nearly all the people
can tell a round from a pointed arch it behoves us to do our homework pretty
carefully when the route has first been worked out. A good scheme is to visit
three churches in the morning and two in the afternoon, starting at about 10 00
and finishing at 4.00. Almost most important of all is the location of comfort
stops (since we are all of a certain age), the organisation of coffee half way
through the morning and tea at the end and of course above all a decent pub for
lunch. The churches chosen must not only be interesting in themselves but must
also have plenty of interesting and beautiful things in and about them; for
getting 30 people in and out of a coach or a series of cars takes a little time
and cannot be undertaken for the sake of a good font alone; and if possible
there should be some kind of connexion so that one can refer backwards and
forwards as one goes.
Since
I like the sound of my own voice, when a party is once inside a church (having
looked at the salient points outside first, sometimes in the pouring rain), I
sit the party down in the nave and tell them about the church and its history
and then try and draw out some particular piece of historical interest. For
example, if there is a hagioscope, or squint, I have great fun debunking the
stories about lepers, the sick and the like and explaining the need for priests
celebrating at subsidiary altars to be able to see the priest at the parish, or
high, altar to avoid elevating the Host before him – late-medieval liturgical
practice is almost a closed book to most people. This year we took the Dorset
Art Fund members to Purbeck, where we started with the famous Saxon
The
I
think the parties went home exhausted (we did) but judging by the letters we
received afterwards and the requests for more next year they all had a memorable
time. All the Trust asks is that people should enjoy the churches and that they
should make a donation to its funds for the day’s instruction and
entertainment.